doormonkey's seebones pages ...

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ICONS || SCREENCAPS || EPISODE SYNOPSIS/QUOTES:

Booth: Ooo spinetingling is good, Bones.
Brennan: Well. Except when it indicates a dangerous nerve disorder. She’s also interested in how you work.
Booth: Well sure, as long as we keep you safe.
Journalist: That is what Agent Andy would say in your books.
Awwww

And Sweets and the guy on the subway and the guy dying like that and poor Sweets. He was so disturbed and trying to be so grown up and professional for Booth, and Booth knew he was having a hard time.

Brennan: Booth told you to go home. He knows about things like this Sweets.
Loved how the team was trying to support Sweets.
Loved Jack trying to help Sweets deal on the drive home.

When the journalist made the assumption the sex life in the books between Reichs and Andy was based on Booth and Brennan ..
Brennan: What? No. We’re not them. They’re fiction. What are you writing? You started writing before I answered.

LMAO at Jack taking Daisy to the crime scene. And Daisy ‘spoiling’ part of ‘Bone of Contention’. And I was rolling when Daisy was talking about her and Sweets trying this move in Brennan’s book on page 187, and the neighbor’s complaining. OMG …

And OMG Angela and Daisy … Angela telling Daisy they’ll need a shorter version of ‘unfortunate juxtification of events’ … IRONY

Journalist: Dr Brennan, why doesn’t Agent Andy wear a cocky belt buckle?
Brennan: Because Andy isn’t Booth. Why does everyone think that?
Journalist: Agent Booth thinks he is. He says they are both brave and attractive.
Brennan: Well he’s wrong.
Journalist: You do not think he’s attractive?
Brennan: Uh I think his symmetry is pleasing, yes. But Miss Igonowa the characters in my book are really only there to further the forensics.
Journalist: I do not agree. The sex is very moving.
Brennan: Why does everyone think that? It’s just sex.
Journalist: Imaginative sex.
Brennan: Okay. I only include that and the personal interactions to denote the passage of time. What are you writing? I only took conversational Japanese.

Jack and page 187 and his thing he does and it’s something that Jack does. That whole Angela and Jack conversation was sexy and awkward and great.

Booth trying to cheer up Sweets by telling him that the guy in the subway died happy, he got good news and shared it with someone. And Sweets’ message he got
Sweets: Go ye forth and live life to the fullest. Or something like that.
And Booth’s smile was great.
Booth: Live life to it’s fullest. People should do that more often. Moment to moment, day to day, but they don’t.

Brennan: Why are you only asking me about things that mean nothing?
Journalist: Those are the things that mean everything.

Brennan turning to Booth to ask about why everyone is so interested in her characters was great.
Brennan: All anyone cares about are the characters.
Booth: Well it’s what they relate to, you know, it makes the story real.
Brennan: No the facts make it real. They’re indisputable.
Booth: Well if you believed that wouldn’t write as well as you do.
Brennan: Angela helps me with those scenes.
Booth: What?
Brennan: Angela helps me.
Booth: Page 187.
Brennan: Angela. Though I am anxious to try it.
Booth: Really
AND THE LOOKS he gave her. Awwww

Daisy asking Angela why she drives a minivan, if she has kids they don’t know about! So freaking hilarious.

Brennan being upset that the pawn shop owner is allowed to carry a gun! So cute, because obviously she was wondering why she couldn’t carry a gun!
And the journalist commenting on Booth being sexy just like Andy protecting Kathy and Brennan denying it yet again.
Brennan: It’s even more exciting when he shoots someone with it.
Booth: Bones
Brennan: Well it is, and impressive. He never misses.

Brennan: Ah-ha. Gotcha dirtbag!

Brennan: No I did my own math, Booth is terrible at math.
Such a cute scene with Brennan and Angela.

Daisy and Sweets … Sweets being so scared and serious to Daisy. So cute. Daisy is confused. Ha ha. And he gives her his mother’s ring of 60 years of love. Oh wow … a great moment. And her perspective that the earthquake was the luckiest thing in the world for her.

Brennan offering Booth a drink as soon as he came in, awww so cute. And Brennan in her robe. The way they are just easily talking and hanging out and just BEING THERE.
Brennan: That is not rational.
Booth: You know what, I still can be surprised by people.
Brennan: Is that good or bad?
Booth: Uh... bad. I think. I don't know.
Brennan: Well, if she's convicted, even with good behavior she'll be in prison for the next 15 years.
Booth: Yeah, but he said that they're soul mates and he'll wait for how ever long it takes for her to get out.
Brennan: Soul mates?
Booth: Soul mates. Yeah.
Brennan: The idea of soul mates actually originated with Plato.
Booth: Yeah, you mean the clay that kids play with.
Brennan: No, the an ...oooh, you're joking (smiles).
Booth: What? Me joke? No.
Booth: No, the ancient Greek philosopher. His theory was that humans originally consisted of four arms, four legs and two faces. Zeus was threatened by their power and split them all in half, condemning us all to spend our lives trying to complete ourselves.
Booth: (smiling) I don't believe that's true.
Brennan: (smiles back) I agree. It's ridiculous.
Booth: Right? (look of uncertainty)
There LOOKS it’s so
Booth: Four arms? Four heads?
Brennan: Two faces.
Booth: Come on.